this killer ep from samuel dan starts as it means to go on with the massive sample loops, and has been custom-made to keep those hands in the air. an infectious, bouncing bassline ebbs and flows through the track, while the tight percussion will keep those feet pounding the floor. octad and phiorio take the controls for the third track. their remix of wake up call is stripped down and funked up. like a prime larry levan cut, funk, disco and house collide but without the mix ever becoming cluttered. the elements are used sparingly and to devastating effect. last but not lease we get samuels original mix in which the brass instruments take centre stage, with trumpets heralding deep bass grooves. they are going to be rocking this one down in the treme. bring on the summer! to finish off this ep in style, heres the floor-filling back home. its immense builds and eminently catchy hooks are guaranteed to spread smiles across the dancefloor like a disease.

it is spring time! fitting for this time of year, the trio of iww celebrates their first lp with housy sounds. fabian kranz, co-founder and iww-resident, sets this label debut of, together with remixes from alex q and andrea di rocco, with his new tech-house project mr. smiley guy. the a-side resembles a jazz club ambience, whereat the remix from alex q who uses dominant string instruments, which entice to dreaming and awakes spring feelings. the b-side is also dominated by warm sound and lovely vocals, with a more minimal remix from andrea di rocco.

support by richie hawtin. gorge. toni rios. stephan bodzin. kombinat100 and many more! spring has already arrived at his secret playground: the warm air is filled with cheerful laughter and bare feet are moving rhythmically in the green grass. mollono.bass reveals a very laid-back character but also a very independent and o-pen minded approach to electronic dance music on his debut album. the rst track in the meadow represents not only a humorous hint on the best possible place to listen to this work but also creates kind of atmospheric foundation for the entire album in its light and u y manner. the lively hustle and bustle on the hidden playground happens in many di erent ways: sometimes its the frisky bounce of hopping basslines and stimulating house rhythms, sometimes its hypnotic sound structures that take the listener on an adult adventure. but above all its the unmistakable sound of real instruments and their melodies which create that earthy, organic groove of mollono.bass, a groove that gives rise to mighty spring feelings.

>sis surpriz< is the third in debruits trilogy of eps which began with futuristic electro hip-hop workout >lets post funk< featuring jamie woon and ommas keith, and was followed by 2010s african highlife inspired spatio temporel. the trio of releases all feature 3-d artwork by german designer rainbowmonkey, and 3-d glasses are also included for your viewing pleasure. debruit is currently crafting a debut album based around trips to west africa and recordings with the regions indigenous musicians and traditional instruments. debruit has also been honing his live show which now incorporates a three-piece band, thumb pianos, african drums, highlife guitar, talk box and more, all accompanied by live visuals from rainbowmonkey. the new and improved live experience will be unveiled at the dates below and debruits album is due out later this year.

milan based heels of love is made up of luca saponaro (from krautrock-disco hybrids the love supreme) and michele tessadri (aka fratelli riviera). the pair of them create incredible 80s-tinged, earthy, synthesized music with healthy dose of real instruments. after some nifty releases on mad on the moon and under the shade labels we are pleased to welcome them to the nang family. with an lp poised to drop later in the year, the welcome first dose is the train >chain gang<.
the track features the dulcet (and ever growing in confidence) vocals of tokyo based max essa. the original is a pacey combination of maxs devoesque song, driving drums and the wide-as analog bass synth from the italian duo. are we men? we certainly are.

the record meanders from sunday through to wednesday with a mix of heavy grooving rhythmical percussion and playful melodies. the creation is an intimate sound, playing around with field recording and self recorded instruments. >any given sunday< sees spieltrieb insinuate an early morning club atmosphere, with a lovely distorted e-piano and commanding drops. following on are three more tracks each with their own character and charm, in all a four-track debut that sets the scene for whats yet to come.

nice price deal !!! dj support – sub focus, skream, brodinski, sinden, tim sweeney, joy orbison, kissy sell out, and more.
>at home< is the latest single to be taken from crystal fighters much lauded debut album >star of love<. it demonstrates once again the musical diversity and sheer talent of this band. an album highlight and featuring the bewitching and enigmatic laure on lead vocals this time, it showcases a much more gentle and romantic side of crystal fighters. set against a musical soundbed of the bands trademark traditional basque folk instruments its beautifully euphoric and uplifting in equal measure. a perfect soundtrack for the blooming of spring, >at home< is the bands biggest single to date and the one that will catapult them into the mainstream

its an album, its deep, its acid, its fragile, its party, its lonely, its all together, its music itself, its special, its rvds with his >moments<. after the ep >waiting, kiss and love< comes the album now. inspired by classic deep and acid house. good to listen to these old instruments: tr-808, roland jp-6, wurlitzer e-piano and some other specials combined with new accents, but always a love to detroit music.

this is 2nd single cut from the debut album of mr raoul k >introducing my world<. album was recorded in his hometown africa with local musician and raoul edited and reconstructed at his german studio. a side is a title track of the album. its a typical raoul’s unique african minimal house. b side,>africa< is more musical song which is mixed the sound of traditional african instruments and chorus.

composite family welcomes feygin, a guy influenced by prince, the beatles. louie vega, jimpster, herbie hancock, jazztronik, dop, will smith, billy joel and woddy allen. he loves anything that flows smoothly, whether its into his ear or into his belly. feygin comes from a family where everyone played some sort of instruments. yet, he never learned to play anything himself. about 2 years ago he decided he will make dance music, or his own interpretation of it. so far he is doing well. you can call his style an eclectic mix of dance music and its various sub genres. as long as it grooves, feygin is on it. at some point in his life, he d like to be able to collaborate with real live musicians, and really push dance music to its boundaries

support from miguel migs, king britt, tedd patterson, master h, jammie thinnes, master kev, deep josh, russell pollitt, dalminjo, roussia, michael fossati, dj jorj... its almost winter time but stalwart has decided to refuse to let go on this depressing vibe !! with its 18th release, stalwart hopes to bring some sun in your heads and ears with this track from portuguese dj and producer deep djoe, sung by superstar portuguese soul singer veronica larrenne. >sing 4 u everyday< is a melodic funky soulful song full of live instruments giving it a warm, qualitative, singalong appeal. the groove will take you straight to the dancefloor, and the vibe to a warmer place near a beach or a swimming pool !! receiving heavy feedback, the original tune has been given the remix treatment from our heavyweight friend aaron ross who delivers a mood ii swing-like vocal dub version. dj rork added a different, more complex groove to the original track with his rework, while up-and-coming french talent thomas toccafondi had delivered a minimal, groovy and hypnotic dub, giving this package a wide appeal

this outstanding piece from jackie misfit, london based deejay, producer, vocalist and multi-instrumentalist presents a harmonic collision between primal africa and western culture. complex in its structure, based on polyphonic singing technique called jodel and articulated together with the dance, pigmy music has much in common with contemporary dance music. the concept was to create the impression that the instruments were played by the tribe to give the impression of being around them. to gain that, jackie used a variety of drums, whistles, harps, instruments built of coconut shells, animal skins and sanza wood by pigmies and vocals recorded in congo rainforest during the tribal rituals. its crafted in the western manner but the inspiration. basic repetitive patterns, vocals and instruments used in this production are original. together with the title that translates as the community of love, and works as homage to the humanitarian organization in congo that is focused on preserving pygmies and their culture.

dixie yure is the incarnation of contemporary oldschool house music from seville. after some digital only releases it is about time for some haptic experience. with the 10“ record „show me satisfaction“ on berlin-based label fenou his sound is rotating on turntables for the first time. monotonous minimalism ain’t dixie yures world. the sound tends more towards 2step and builds a homogeneous and pleasant mixture with classical house elements and vocal parts. you just cant deny yourself dancing the >chicken dance< and stepping like hell! thanks to the funky improvisations extending over the whole track you wont get bored even after listening to >show me< for the hundredth time. the a-side is just fun - in the club as well as on your couch. you wont miss the low-pitched vocals on the b-side either as they are typical for the spanish producer. >satisfaction< is a little more reduced than >show me< but is enhanced with jazz elements such as pianos and saxophones. it shows that wind instruments in electronic music dont have to be annoying tribal elements. in this example acoustic instruments do not just get mixed up with house music but merge to one groove – absolutely rocking tune!

tejada and humphrey made their debut together late in 09 with their >marooned ep<. >assimilation< continues the theme of being marooned in los angeles. the four works compiled here are the result of the best moments out of 20 recording sessions. the music is for the most part assembled with analog instruments with humphrey and tejada bringing their modular gear together for the sessions. humphreys knowledge of synths and programming is quite extensive. he until recently helped operate la based big city music, a dealer of modular and boutique synthesizers.

g.i.disco - an 80s history of cold war s hottest music in west-germany berlin local dj heroes kalle kuts and daniel w. best a.k.a. g.i.disco have compiled an excellent 80s soul, funk, r & b and disco selection. it combines representative music of that time with informative liner notes about the german historical background (which also is an important part of 20th century s world history), international artist quotes and worldwide renowned art by berlin based photographer frank thiel to an unique history lesson and listening experience. soul, funk and r&b from the us became a worldwide dance and clubbing movement during the 70s when it turned disco. in the late 70s and 80s more and more new electronic instruments like synthesizers and drum machines were added to the horn riffs and piano licks, bringing the funk back on the dance floor while still leaving it s soul untouched. although a global success story, it played an interesting role especially in the german experience. lp comes in gatefold sleeve.

darek presents its ninth release and 2nd vinyl edition named >maremoto ep<. it includes three original tracks of dich also known as diego cheloni or katama and three remixes delivered by signal deluxe (trenton, eintakt, fade, blaq) from mexico df as well as demir & seymen (highgrade, pentagonik) from berlin and jimmi hendrik (deep vein audio, dirty monkey, tanztone) from plauen / jena. dich was born in fray bentos in uruguay, and nowadays, he is living in montevideo. he s very active as a dj, producer and remixer. his career began as a self-taught musician approaching to percussive instruments, guitar and piano. dichs productions go from minimal to conceptual and techno dub sounds. his music development embraces different styles and he is always ready to discover new horizons. his current work is definitely influenced by minimal and techno and it offers amazing variations of both styles. this new ep clearly shows that his production skills are very effective and he is definitely one to keep an eye on.

after leaving behind the somalian pirates, geiom is cruising the sunny waters of the indian ocean when he picks up a distress signal on his scanner. he follows the signal until he locates a tiny remote island and a guy called bowly, who said that he was on his way from france to the new world, but got totally lost. judging by the age of the map he was using its easy to see how. bowly spent his time on the island hanging out with the locals who amuse themselves by creating a unique style of music on some amazing handcrafted instruments. geiom helps bowly get on his way again, and leaves him with a more useful map. some months later, bowly beams over his music as a gift from his new found homeland in canada ? the tracks are like some strange mutation of those distant tropical players and the uk-based pirate radio transmissions that bowly has been tuning into ? geiom loves the result and decides to send them straight over to transition in london for mastering and release on berkane sol. this 12 has been getting played by selectors like ? subswara crew nyc (soul motive), brackles (rinsefm), grevious angel (soul jazz), martin kemp (blunted robots), cooly g (hyperdub), shortstuff (ramp), spamchop (wigflex), oneman (rinsefm)?

our favorite african producer mr raoul k is back to mule musiq. this new single is a first single cut from his new (debut?) album which coming in the late this year or beg of next year. raoul k recorded all instruments like african traditinal guitar cora in africa and he added his unique psychdelic touch. the result is a playful african deep house.

the italoboyz released their portucais ep with us a year ago and now we are exited to release two new tracks by them and a digital bonus remix from trapez ltd artist blind minded.&#8232,,,the italoboyz are free spirits. they always invested a lot of effort, like to use real sounds and instruments played by musicians and go for the matureness and raw side of the authentic sound.

on the prowl brings us two outstanding remixes for runaways >the fire below<, canadian duo extraordinaire azari & iii, and scotlands new phenom the revenge. hot off the heels of >hungry for the power< and >reckless for your love<, azari & iii flex their remix muscle with a heavy dose of synth stabbing and percussive angst, reworking runaways original >the fire below< into a peak time burner. the revenges take shows that you dont have to bang it out to fill dancefloors. fortunate for us, graeme clark aka the revenge took time off his own super busy imprint (instruments of rapture) to give us one of his best remixes to date.

summer killer tune! big with tiefschwarz, shir khan, matt walsh, turmspringer. as a record label klasse recordings acknowledge and develop the ideas between racing, electronic music and the man vs machine relationship. the concept of artist and founder luca lozano and agent daniel zedelmair, klasse holds up the classic spoked wheel design of a racing bike as a symbol of strength and unity which contrasts with the disposable doses of instantaneous gratification found on electronic music blogs and in so many discotheques that they have encountered on their travels. located within, but not constricted by, the genres of modern house and techno, klasse aims to evoke the depth and narrative of themes such as travel, movement and repetition, fusing the rich sounds of traditional wind and string instruments with the accuracy of synthesisers and drum machines.

with the release of >free k. loudwiggle< the accumulation of impressions from over the last 2 years has ended. the musical production took about 21 months working in berlin and the circle. during the productionperiod my technical tools and instruments enormously developed making it a very inspiring time to create and arrange rythmics and harmonies.
at a dark night in autumn 2009 i decided to move back from berlin to the circle. back around christmas 2009 the quiet wintermonths took over and re-created the studio in the circle where i was able to sitdown and mixdown the tracks i created over the last 21 months in berlin.
for the first time i decided to give this particular album the unique touch by handmaking all the artwork. every single record has been handstamped both sides, the covers manually printed and put together. all 200 pieces are different and have their own singular identity. now, at the end of june 2010 i can present this big collection of expressions. quagmire ltd is a small platform to release this debutalbum. limited to 200 pieces of triplepack 12 inch including 13 mixes.
love
k. loudwiggle

on his first release, >muskelminne ep<, gunnar delivers an indian summer love song, >massagerutin 1<, some deep and glistering morning music with the track >morgonanga< and ends with the raw but perfect bonus beat, >lilla huset pa prärien<. or as gunnar jonsson puts it: >i just want to have a good time with music, no steroids, no tricks, just some soft grooves and some hardware fun. i love older electronic instruments, the way they look and sound makes me feel good inside and gets me going.< eat healthy and ride a bike between the studio sessions that is gunnar jonssons vibe. it is our wish that this ep will end many summer night dance floors.

nemanja nikolic was born in belgrade, serbia. a couple of years ago, he decided to move to sydney for the purpose of audio production studies. rejection and a new world are nemanjas vision of dub techno, evolving pads, reverbs, space and delays. highway of thoughts and the voice of my youth are an attempt of experimental, darker, minimal tracks with lots of sfx, samples from the real world and live instruments. delta funktionen (ann aimee, delsin) appears for the first time on dpress and delivers a top remix of >a new world< that finds its place near the solid techno sound of sandwell district, etiku, ostgut ton.

the third release from one records, comes from one half of the backbone to the project, subb-an, one the uks finest young talents who delivers an anthemic package with >soul skool<. >soul skool< is unapologetically gripping, opening with moody atmospheric keys before settling into an iconic bassline, and teasing with the vintage sounds of early house vocals and rasping brass instruments. this is the distinctly vivacious sound of subb-an, matched with an equally alluring shaun reeves remix.

ftfo - for the fans of milton jackson, tuccillo, ali kuru, leon & kreon, george g, gorge, livio & roby... jazzy caravan is a grand peice of work that is looking to outline the silhouette of apparel music classics soul. the jazz follows us to the sweet memories of unforgettable melodies that are interpreted by artists par excellance for a special event. every producer represents one scene, unique and unmistakable. jazz samples (where oneboy project has groomed well the classical instruments - the trumpet, the piano and the double-bass) were given to every artist.

back again we have the mediterranean flavor of the friends affkt and alberto sola. always experimenting with different ingredients like the cooker ferran adria, the guys who laid the first stone of the legendary label barraca, now present a hybrid of pop and house which will leave no one indifferent. ‘pobla loves you’ was born with the tuba of alberto cuartero, orchestra director of hoya gonzalo in albacete. marc and alberto (affkt and sola) wanted to have a typical instrument of a band and merged it with the electronic dance scene, always being faithful to his maxim of making music to dance as well as to listen. if we surround valencia, road to pobla de farnals, we passed through la canada. there are los updates, who upon hearing the organic rhythm of pobla and the work with the wind instruments, set to work with the voices. perfectly adapted to the capital of the turia river, jorge and loreto propose a valencian poem that their children have learned at school. the moon of valencia then join our dinner for four. finally, we add to our paella a bit of percussion and keyboards made in affkt, to get a main course and obtain a typical valencian plate but by adding a little chilean salt becomes international. more oriented to the dance floor, there are three rather different remixes. new union between spain and chile, with danny fiddo and felipe venegas. this couple present an elegant and deep remix with drums and vocals perfectly adapted to the current sound. moreover, the french man darlyn vlys re-interpreted >pobla loves you< with a lot of groove and percussion added. finally, affkt gives his funker version of events to complete a job that will come out by the german label international freakshow

praezisa rapid 3000 are robert guschel, david junghans and henrik jacobsen. coming from different styles of music they found each other to start making music. loving techno, drum & bass, dubstep and indie they created the praezisa-sound: complex, harmonic, organic, which eradiates quickness through native instruments. in doing so there is much humor in this supposed to be earnest music. this ep tries to depict the spectrum of what the three guys love: from bass-music to easy listening – and house: good guy mikesh & filburt, known through releases on permanent vacation, liebe*detail and mirau give the debut of praezisa rapid 3000 a remix.

with ‚into the great wide yonder trentemøller is not only exploring new moody and atmospheric universes, but combines his sense for glorious soundscapes with a firm melodic and tonal touch. the original chord progressions and feel for melodies is fundamental to him, and thats also the reason why most of the instruments are played by trentemøller himself on this album. >i like the possibility to be surprised that chords and melodies change into something new. the music that i like most lets the themes and sounds come back in different disguises<. the danish multi instrumentalist and producer shows an unexpected talent for finding vocalists that fit the mood of his songs. the first single of the album, the beautifully tender >sycamore feeling<, featuring marie fisker, is a typical highlight

with shameless belgian attitude, the subs (ab)use melodies, vocals, choirs, analogue and digital filth and real instruments to create their own typical punky sound.

portugal based talented deep house producer johnwaynes. they have released at compost black and mule musiq. thats why deep house producer johnwayness new single is coming out on endless flight, because of their new moniker just john.
johnwaynes determined to release an alternative stuff or music which they dont play the instruments by themself by this moniker. the sound is similar with the revenge or motor city drum ensemble. both tracks are beatdown housetrack with the vocal sampled from 70s soul. music is simple but very attractive.

and.id is an artist whose musical talents are impressively far-reaching, as his recent installment of the back to back series with jazz interpretations of mobilee classics powerfully brought to everyones attention. after a long spell in the studio with his b.a.n.d and a variety of instruments, and.id has gone solo for his next project, i will be there, and hes taking us back to the dance floor where he is equally at home, as his other releases on mobilee such as first talk have shown. title track i will be there lands heavily with a punching kick drum and there is little release before the bass and groove come in, meanwhile b1:five brings back and.ids signature jazzy sounds with some melodic pianochords. b2:erotica brings all of the elements together with a strong melodic bass line and punch kick, making it the stand out track of the release. tthere is something for everybody in this package and it will definitely get you moving….enjoy!

ftfo - for the fans of milton jackson, tuccillo, ali kuru, leon & kreon, george g, gorge, livio & roby... jazzy caravan is a grand peice of work that is looking to outline the silhouette of apparel music classics soul. the jazz follows us to the sweet memories of unforgettable melodies that are interpreted by artists par excellance for a special event. every producer represents one scene, unique and unmistakable. jazz samples (where oneboy project has groomed well the classical instruments - the trumpet, the piano and the double-bass) were given to every artist.

>esta si esta no< by the glimmers featuring baby g. is a cover version of one of the biggest euro rave anthems from the early nineties originally written and performed by spanish superstar dj chimo bayo. beautiful baby g (from lsb fame on eskimo recordings) took the vocals for her part whilst half of the glimmers house band disko drunkards are playing the instruments on this quite original adaptation. this release features three remixes. glimmers favorite german fella daniel haaksman (from berlin based man recordings) goes favella funk style with a very catchy sax hook and the amazing in flagranti is doing with the track what they can do best, making it very synthy disco sexy.. they deliver a vocal and an instrumental version.

san proper stlyin like only he can... tip! good starts deserve likewise follow-ups. after a daring, but nonetheless vigorous start from the freshly formed dekmantel label thanks to israeli duo juju & jordash and their stunning and much praised self titled album, next up is amsterdams very own musical wolverine: mister san proper. you might have come across sans name recently. after coming, seeing and concurring the dutch lowlands san is on the eve of a definitive international breakthrough. with releases on world-wide acclaimed labels like rush hour and perlon his dazzling hand-jammed percussion, vintage synths and instruments- one - only - stubbles - upon - when - discovering - deserted - jungles now found their way to the dekmantel label – sans home bass.

blind minded lives in london and is famous for his live appearances and has his third release with trapez ltd with >mr propre<. his first two release on trapez ltd was supported heavily and where charted by the italoboyz so weare looking forward to his follow up. >mr. propre< is the return of what used to be of the detroit sound blended with modern spontaneous changes in mood and crossovers which will put a smile on your face. >mr. propre< is the most technoid of all three tracks, whereas >jazz 2 me< is a bassline monster, with vocalquotes about jazz music stating it as >a state of life<, >something that you live!<. altogether a sexy cool groover! >the melting freak< is the most deep of all three tracks. here you can hear blind minded playing his analogue instruments (also a real 808 drum machine) being funky and cool rather than going for cheap thrills.

after releasing milestone eps between 2007 and 2008 on pheeks archipel imprint, immigrant and their home label, cynosure, the uruguayan duo monoblock completed a great 2009. inaugurating the spanish une label during the summer with their introduktion ep, monoblock also released intensiones, their third record on mike shannons cynosure. recent berlin implants, by way of valencia, monoblock start off 2010 right with a superbly executed whole artist ep on airdrop records. bringing together three tracks of very different moods, the shouting nonsense ep reflects the richness and diversity of electronic concepts covered by monoblock. going from the most rousing and bouncey tech house in shouting nonsense to the more stripped environment of cienpies and passing through the use of live instruments in calid.

rising sun is the souljazz orchestras first all acoustic afro jazz album. playing over thirty different instruments, the group creates a rich soundscape of otherwordly jazz, driven by heavy african rhythms and soulful vamps. the esoteric arrangements and fiery improvisations make it one of the souljazz orchestras most unique offerings.

support by luciano, reboot, sebo k, raresh, nuick curly.... chris carrier, one of the most respected names of the french underground house scene for more than 10 years, delivers his debut ep for off recordings. la fabourienne is the kind of peaktime tracks that you know and love off for, jacking grooves, a strong bassline and an infectious saxophone theme will turn your dancefloor upside down – guaranteed! jeudi is a completely different affair – a laidback sparse groove, garnered with 100% self-played live instruments and percussions show carriers deeper side, making this outstanding piece of music the deepest and most musical track released on off so far. william kouam djoko, one of biggest fresh talents of amsterdams ever-growing house scene, delivers a unique interpretation of jeudi for his friend and house-hero mr. carrier, straightening the deep original into a twisted techno-jazz-experience for the feet and the heart in two interpretations: the vinyls perky mix is more aimed at the dancefloor, while the trippy aftermath mix is perfect for afterhours. the ep is finished by cycles gladiator, a deep and timeless housetool typical for mr. carrier, perfect for the earlier or later hours of the night

minor love features 14 brand new tracks from americas number 1 greatest singer!. minor love found green enlisting the talents of rodrigo from little joy and other hanger ons, like his brother joel (and look a likes joe steinbrick and greg from megapuss). the album showcases a tender side of the often arrogant and emotionally unavailable bully / singer, green. in a total state of isolation, green attempted to play nearly all the instruments on the record, due to incurable social phobias which plagued him. apparently the inspiration for this album lies in greens fatalism - you might want to take that with a pinch of salt though!

the every day fight deep in the inner side of danjel esperanza is such a big antagonism. but its not only in himself, its his life, destiny and his music which he really lives out on his musically diary. and now with his first album ever!
no better place can it be than his label backdoor beauty to describe all the opposed feelings. the album contains nine very deep and soulful songs. deep bubbling pumpin basslines combined with spiritual singing vocals, instruments like violins, flutes, guitars and many more! all recorded together with sounds from outside which gives the unique athmospheric dubby touch and far horizons and it feels at the end like a very hypnotic trip.
inspired and influenced from so many music styles he found his own way in electronical acoustic sounding music to describe the antagonism in danjel esperanzas life and the world...which is like one happy eye and one sad eye....

dollar mambo is a fantasizing. his name is taken from the title of paul leducs film. a movie realized in panama where you find no dialogues but only music and dance to narrate the story. like in the seven dollar album, all tracks have an authentic south colour and are built, not like a film but in a way where everyone can easily imagine a sketch. all tunes are about dancing, intensity, surprising and finally a great tribute to musicians. youll find a lot of sampled instruments from massive percussion, trombone, trumpet, voice (soleil) to guitar, gitarone (gringo) and marimba (wonderful)... like a dream this album is born for those who are searching for something different, illuminating and deeply happy

played by: richie hawtin, raresh, cisco ferreira (the advent), matt star, xpansul, nicolas duvoisin, mirco violi, frank leicher, sebastian altstadt, locke aka dermaptera, sean o neal (someone else), jon gurd ...
igor jadranin aka en-tropic signs his new ep – >between two extremes<, for the record label underground limited.this release clearly proves igors unmatched talent and maturity in music production. the lead theme of this ep >between two extremes< – a very deep and powerful theme, carefully broken by rhythm and still a gentle and emotional jazzy looped composition – is surely my personal favorite from this release.cooperation with marko vukovic is embodied in the track >back again< – a minimal deep house filled with rhythm, not the kind of rhythm produced by percussions and other drumming instruments but rather by a cut vocal and dirty synth, which breathe soul into this theme.
>zero loss circuit<, which has an expressed club spirit, is the ideal piece for building an atmosphere in a club. igors music definitively deserves a spot on every good djs list.
(zoran petkovski review)

the revenge is a hottest new producer on nu disco-house scene came from glasgow. his past release on jiscomusic,instruments of rapture, delusions of grandeur are already huge. this debut release on mule musiq have his deepest two new songs. a side is a hi-tek deep chicago house sound with male vocal and b side is a dark house sound.

already played by efdemin, akufen, mathias kaden, jimpster, frivolous, magda, jeff samuel, kez ym, mathias schaffhäuser, tomboy and more... strong gymnastic house tunes brought to you straight from the gym. pumping iron by brandt brauer frick… and 1 and 2 and 3! brandt brauer frick produce club music with self-recorded acoustic instruments (prepared piano, vibraphone, drums, various per- cussions, brass and string instruments), rhodes, bass guitar and few analogue synthesizers, as heard on their ep „iron man“ (incl. remixes by lee jones and treplec) or at their great performance at berghain last month. for the gym they have made two rather untypical house tracks, using more synths than they usually would, celebrating a more gymnastic dancefloor approach. enjoy!

the particular view on a musical future might have been considerably different when olaf hilgenfeld (berlin) met iftah gabbai (jerusalem) for first sessions in 2004. the piano player hilgenfeld used the accordion that time mainly, whilst gabbai was using all instruments available, a computer was among those more by chance. only one year later the duo skinnerbox played regularly on such uplifting, innovative off-partys that came up in the new techno generation again.
that was just the beginning. skinnerbox have developed a purely electronically composed and performed music (partly featuring vocals by elle_p) – that is not based on loops but improvised techno inspired house and minimal house. the roles in the duo are clearly settled: olaf hilgenfeld – moog synthesizer, iftah gabbai – hardware drum machines, max/msp und ableton live.
all these distinct impacts and effects can be heard on their various releases from the last two years, but far better in their live sets. skinnerbox are an experience, taking you on expedition with paralyzing minimal, breaking house, hard-edged techno-jazz, and ambient electronica futurism.
it was a desire to eternalize this play- & colorful diversity, often just caused by the moment, as entire homogeneity. thus, they needed to leave temporarily their environmental techno and minimal house scapes. >king of spades and marmalades< – the result – is a jazz opus wrapped into a disco suitcase. it is a reminiscence as well as going far ahead of daily musical habits, shown not at least by the order of tracks, do not starting with a stunning hit of the album, but with 20 minutes of challenge.

russells contribution to the modern music scene is of such imortance that many consider his work to be untouchable but in this release all of the modern day producers have carefully picked out key elements of his songs whilst recording an entirely new and up to date soundtrack. over the last few months yam who?, robin & simon lee from faze action, singer mary moore, nycs pocketknife and my tiger my timing, andy spence from new young pony club have worked hard to create entirely new instruments and vocals. additional remix comes from mark e. especially fantastic cover version of >in the light of a miracle< by faze action ft. yam who and mary moore. features sleeve notes by danny krivit. heavy weight release.

shawn rudiman (known from technoir, matrix records, and most recently minimal soul records) appears as new artist on cache with amazing deep dub monstertrack, and finest detroit techno flavours.
cache records new single features highly underrated talents of shawn rudiman, usa. nearly 20 years making music, a true professional delivers.
deep atmospheric dubtechno on the a side, with appeal to dancefloors and homelistening.
b1 >no limits< is finest classic detroit techno, b2 a beautiful ambient/ electro number.
why this release has a classic sound feel you may ask? simply because its not a computer production. real instruments have been used and the human elements clearly show.

jonathans musical inspiration are real instruments and live studio sessions with musicians. beside of all the original sound versions this ep includes a multi range of different remixes.